Pulivaal is an unimaginative tale of two strangers brought together by fate in a ridiculous cat and mouse game, which ends up ruining the life of an innocent.
E-commerce is awash in money, raising concerns about whether this is just another unsustainable internet trend headed for a bust.
Shraddha Kapoor and Aditya Roy Kapur talk about the film, OK Jaanu, and the link ups rumours that surround them.
Sanjay Leela Bhansali's Bajirao Mastani has ruffled quite a few feathers among the descendants of the Peshwa and his Muslim wife.
Go for the Dzire if you are looking for easy maintenance and a better driving car. But if you want your compact sedan to make a statement, get the Ameo
'George was a politician with a difference. He had the ability to stand alone, take a position, however extreme, and sustain that position,' remembers Arun Jaitley.
Not exactly meant for family audiences, Main Tera Hero is a refreshingly unpretentious, says Paloma Sharma.
Claude Arpi's fascinating account of the Dalai Lama's arrival in Tawang in March 1959.
'Is Trump going to play a mediating role? Can he play a mediating role? It's out of the question.' 'Kashmir is an Indian responsibility.'
'In Udaan and in Lootera, the initial sensations that drove Vikramaditya Motwane to make those pictures never quite travelled beyond the walls that contained them.' 'Here, in Trapped, this sensations-strangled-by-the-walls feeling becomes the movie's real tune,' says Sreehari Nair.
'Competence, experience, matter, did you say?' 'No music was sweeter than the mash of xenophobia, jingoism, racism, misogyny.' 'And the master busker to play the tune was round the corner to capture an eager audience just in the nick of time.' Shreekant Sambrani on the Trump Triumph a week after his upset victory.
Neeraj Pandey's Aiyaary is the sort of spy fantasy story that drunks narrate in bars, says Sreehari Nair.
'Kumbalangi Nights is a movie that respects women, but most importantly, it's a movie that loves them,' says Sreehari Nair.
'Parrikar should never have bracketed himself with Modi.' 'That was an act of blasphemy that could invite divine retribution,' says Ambassador M K Bhadrakumar.
Even though the Democrat nominee won, polls showed that Trump had exceeded expectations.
Badlapur is all fury and fog, a revenge saga that plays out with great eyebrow-singeing intensity, says Raja S
'It was only to be expected that she would grace the national awards function in her distinctive style.' 'For her admirers, the flouting of norms was in character because she has made her mark in highly competitive Bollywood on her own terms,' says Amulya Ganguli.
'The non-cinephiles may hold up Sholay as their personal favourite and the cinephile lot may quote something like 8 1/2 as the movie to load with them on the ark.' 'But for a good percentage of these people from both categories, if there is one film to simply laze around with, a film that can extract them from their dull funk, it's definitely DCH.'
Hrithik Roshan was just 32 when he played a grandfather in Krrish!
However, international fast-food chains have had to change this business model completely, to adapt to Indian preferences.
'The most valuable personal sensitive information of present and future citizens has been made available to foreign data firms and governments and non-State actors for all time to come,' says Gopal Krishna.
'Good luck, Chaitanya Tamhane. May the jury system prove better for you than the bench trial did for your protagonist.'
Vaayai Moodi Pesavum is a thought-provoking and thoroughly enjoyable film
Rajdeep Sardesai's 2014: The Election That Changed India, will make him a ton of money, says Shreekant Sambrani, but admits he is more interested in knowing whether the book lives up to its title.
The Intruder 150 is Suzuki's first Indian-made cruiser, but does it offer more than just dramatic design? Benjamin Gracias finds out.
The third Bonjour India is coming to 33 cities!
No-Punchline humour reminds us how in our daily lives, we all are by turns 'The Corrupt Politician we criticise,' 'The Chauvinist Male we frown upon,' 'The Rule Breaker we deride through our Facebook posts,' 'The Communal Virus we so easily lampoon' and 'The Bad Artist we spoof.' In a land where the aforesaid prototypes are our major sources of 'funny,' is there an audience for the NPL kind of humour, asks Sreehari Nair.
Monday's surprise meeting is an admission by the Bharatiya Janata Party that their purported strategy of hoping to ride the popular 'Modi wave' in a Tamil Nadu without Jaya and a bed-ridden Karunanidhi does not have much chance of success, observes N Sathiya Moorthy.
Telugu director Raj Madiraju talks about his latest film Andhra Pori, the Telugu remake of the superhit Marathi film Timepass.
A definitive guide to the movers and shakers who sit at the helm of the Asian sports boom.
'Sanjay Leela Bhansali's historical characters behave as though they are already aware of the chapters that will be dedicated to them and the sonnets that will be written in their memory.' 'And yet, they talk relentlessly about making and remaking history.' 'Can anything be more superficial?' asks Sreehari Nair.
'I always work in films with an open heart.' 'I believe working with trust.' 'Unfortunately, we have many actors and stars who don't function in this manner.' 'Maybe that's the way they want to get their stardom.'
'The Chinese mindset and approach to India is far different from that in Pakistan.' 'This reality makes it possible for us to follow an engagement policy with one, while militating against engagement with the other.'
Many Indian men enjoy the chemistry and the physicality but when it comes to marriage, they still prefer to go with the conservative type of girl.
Complaining about work or colleagues won't help you much.
'Is there a connection between the way we pitched the entire issue of Udta Punjab's censorship and the apologetic, full-of-very-specific-answers tone of the movie?' 'Maybe it's just me, but as an Indian liberal, I am more scared of us liberals than I am of the average Indian conservative bloke,' says Sreehari Nair.
Shashi Kapoor, the star who made us laugh, romance and cry, passed into the ages on December 4. We look back at the often underrated actor, who reinvested all his earnings as an actor into making films and keeping the theatre he established, Prithvi Theatre, alive.
Beautiful glimpses into Dilip Kumar's life with Saira Banu.
Bombay Velvet is an obviously shallow film, an all-out retro masala-movie with homage on the rocks and cocktail-shakers brimming with cliche.
'I find it hard to watch my own films. I prefer to watch my face when it is covered with some facial hair. I like certain moments in my films. Most of them are in Lootera.'
